Friday, October 3, 2014
Monday, April 14, 2014
The Work of Frank Frazetta
On May 9, 2010, the art world lost a great legend.If you were lucky enough to grow up as a young boy in the 1970′s, than you would remember the bigger than life artwork of comic artist Frank Frazetta, who recently died at the age of 82. His work and style were instantly recognized: Massive muscles, swords and axes, busty and scantly clad women, legions of the damned, and battle… lots of battle. His work was the epitomy of the Heavy Metal movement of the 1970′s and rock bands like Molly Hatchet.
As boys, we grew up desiring the physique and the call to battle. I remember having a poster of Fire and Ice on my wall. It was “fantasy” art, but not the kind of fantasy you would typically attribute to young adolescent boys. I’m talking about The Call of grand adventure in far off lands. At least that is what I remember.
Whether, it was a enormous barbarian on horseback or a pencil sketch of Tarzan, the work of Frank Frazetta was world-renown and instantly recognizable. He contributions will be greatly missed, but his legacy will be here for a long time.






Monday, March 24, 2014
Monday, March 3, 2014
Wednesday, January 22, 2014
20 Iconic Weapons From the Most Legendary Gunslingers in Film
Kelsey Campbell-Dollaghan -
Mauro is an award-winning commercial director, but in his free time, he hones his rendering skills with projects like this one: Famous Guns, a collection of guns used by classic film characters. “There’s an iconic legacy between an object and a famous person,” he told Gizmodo over email, “be it real or imaginary.”
His collection includes plenty of actual guns (like Samuel Jackson’s 9mm pistol from Pulp Fiction), but the best ones are the fictional weapons. They range from District 9‘s Arc Generator to Rick Deckard’s Blaster pistol from Blade Runner, and the Ghostbusters Proton Pack even makes an appearance, too. Check ‘em out below.



















Monday, December 16, 2013
Van Gogh's Yellow
by johnandann@theartistsroad
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| View of Arles with Irises by Vincent van Gogh, oil painting. |
One of the colors, Chrome Yellow, is not only toxic, but is now also known to darken under exposure to the ultraviolet rays in sunlight. As less toxic alternatives to Chrome Yellow were finally developed in the mid-1900s, artists tended to switch to them. But, for a critical period of time, the brilliant color that Chrome Yellow provided was an important tool in van Gogh's and other artists' palettes. It was perhaps most famously used in some of van Gogh's Sunflower paintings. Researchers have found that some, but not all, paintings containing chrome yellow suffer from the severe browning that exposure to sunlight can cause.
To understand how paintings age and how best to preserve them for the future, researchers conducted an in-depth study of the browning seen in some of Van Gogh's work painted with Chrome Yellow. Scientists from four countries performed the study. They began by collecting samples from three historic chrome yellow paint tubes and artificially aging the paint for 500 hours using an ultraviolet lamp. They also took samples from two van Gogh paintings, View of Arles with Irises and Bank of the Seine. The paint from the tubes darkened to a chocolate brown after exposure to the UV light.
Using an X-ray beam that is one hundred times thinner than a human hair, the scientists were able to analyze the darkened chrome yellow at the very surface of the two paintings as well, just below the varnish. Their analyses discovered that the chromium in the pigment gained electrons from the UV light, effectively reducing Chromium (VI) to Chromium (III), turning bright yellow to brown.
Of great interest was the finding from the microscopic X-ray beam that the darkening was most prominent where chemical compounds containing barium and sulphur were. This may prove why some of Van Gogh's paintings seem to be especially susceptible to the darkening, as it is speculated that he sometimes blended white (containing barium and sulphur) with his yellow paint. The next phase of the research will be the most important of all in trying to understand if there is any hope to revert pigments to the original state in paintings where the darkening is already taking place.
In yet another blending of science and art, we are able to look backwards to understand more about the lives and the works of the great masters. "I am not aware of a similarly big effort ever having been made for the chemistry of an oil painting." - Joris Dik, Professor at Delft Technical University. (More information is available from the Journal of Analytical Chemistry.)
Please join us on The Artist's Road for more interesting and informative stories. We believe that more artists in the world is a good thing!
--John and Ann
She Nearly Threw Her Grandpa’s Scrapbook Away. Til She Opened It And… WHOA!
A Redditor
discovered this scrapbook in her family’s home. It was musty, plain and
almost falling to pieces. To most people, it may look like just a piece
of junk that could be thrown away during a round of spring cleaning.
She had a feeling it was special… and it ended up being absolutely
priceless. Her great-grandfather was a cartoonist for Walt Disney, and
inside of that scrapbook was some of the coolest sketches we’ve ever
seen.
We don’t support hoarding, but if you see a tattered book in your
family’s attic, you might just want to take a peek before you throw it
away. It could contain priceless Disney gold!
This book is a piece of history, containing some of the earliest versions of a favorite cartoon character we know today.
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